Boogie Woogie Bugle Boy The Andrews Sisters He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up, and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddleyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with him He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle, he was buzy as a 'bzz' bee And when he plays, he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddleyada, toot-diddleyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with him A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-doo-da, da-doo-da-da, da Da-doo-da, da-doo-da-da, da Da-doo-da, da-doo-da-da, da Da-doo-da, da-doo-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B!
Submitted by Volinovia "Boogie Woogie Bugle Boy" is a song which became a major hit for The Andrews Sisters and an iconic World War II tune that first appeared in the Abbott & Costello comedy film, Buck Privates. It reached number six on the U.S. pop singles chart in early 1941. The song is ranked No. 6 on Songs of the Century. Bette Midler's 1972 recording of the song also reached the top ten on the U.S. Billboard Hot 100.
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