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Dispatch → Bulletin → News
Worlds to Build Standalone Edition 4
Originally featured in EPNS Edition 36, June 2024. Worlds to Build Standalone Edition is published 7 to 30 days after EPNS.Queer and Trans Community
By: Aivintis
The Directorate is a very socially progressive nation and, as such, has fostered a strong community of LGBTQIA+ persons within its borders. Throughout all of recorded history, there have been queer and trans figures of note. The oldest historical figure who is a confirmed homosexual is King Vaisvilkas I, who reigned in the 6th century, however, burials and oral histories have led to confirmation of queer Zemedievans as early as the Great Slaviskas Migration.
Without any institutionalized homophobia or transphobia within the Directorate, the need for any organized queer or trans liberation movement has been subdued compared to many other countries, further complicated by the ban on any organizations seeking any form of political action. Due to this, by the 2010s, most of these movements either disbanded, or coalesced instead into legal defense funds and charities, which are permitted under Directorate law.
In the face of globalization and the Directorate’s increasing focus on external and foreign affairs, the protection of marginalized groups has become a major priority of Directorate foreign policy. With the signing of the Valsoran Better World Project and the authorship and passage of the International Convention of the Rights of Queer and Transgender Persons within the International Court of Justice, the Directorate has shown a commitment to queer and trans protections and liberation across the world.
The growth of queer/trans subculture within the Directorate was stunted, as with political organization, without the need to unite against institutional discrimination. However, similarly to queer and trans liberation, globalization encouraged the development of a more defined LGBTQIA+ cultural identity within the Directorate, mostly based in trends and customs popular among queer and trans communities in Western countries.
Notably, gay bars, drag shows, and pride flags have been imported into the urban cultural sphere of the Directorate, where queer and trans communities tend to congregate for their own safety and the development of social relations. In Sventykla, an LGBTQ village humorously named Queerdonia has popped up, and became a major tourist attraction for its colorful shops, queer-owned businesses, and coordinated event programs showing off queer and trans artists, musicians, authors, and more.
As flamboyance, color, and joy is very uncommon in Directorate culture, much of pride culture is not easily incorporated into the greater Zemedievan zeitgeist. However, same sex relationships and transgender experiences have taken a larger role in Zemedievan literature and media culture following globalization – whereas before, these experiences were largely only depicted by people of those communities, the desire and marketability of representation and diversity has increased, leading to a mainstream incorporation of queer and trans characters and storylines into the cultural fabric.
LGBTQIA+ related support services have cropped up with the invention and spread of the internet, largely under the umbrella of national charities. The government has yet to institutionalize this support within its online and emergency infrastructure, but surveys and studies by Directorate universities show a popularity for the decision that may lead to policy action in the near future.
Queer and trans medicine and healthcare was quick to be incorporated into the Zemedievan Health and Welfare Directory after an epidemic of AIDS broke out in 1986. Increasing access to gender affirming healthcare is a current policy goal of Director Natalija Straskiene, with the endorsement of the Chief Director, seeking to move away from unsustainable community-based financial support networks. In, 2007, there was a major push to include LGBTQIA+ health pamphlets in every hospital in the country, which was reportedly accomplished in 2015.
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Urthvision XX: Now Broadcasting
By: American-Cascadia
Welcome one and all to the great nation of Korćetta, Land of the Trees. We are excited that you chose us to be your host of the very special Urthvision XX. My name is Żaneta Kryszak and I will be your ever wonderful host for this event. This event is very special to the people of Korćetta, as it is the first time we have hosted an event like this and it is such a special one at that. Urthvision XX is a milestone in the history of this song festival, and we are so glad that we can be the ones to bring it to you here today.
Before we get any further we have a word from our president, Aleksy Niezgoda.
bzzt
Hello everybody and welcome to Korćetta. I am the president of this wonderful country, and I’m going to take some time to talk to you about it. Korćetta is a nation full of beauties, from the beautiful coast to the gorgeous Lake Kaskada and everything in between. Portmorski is also a wonderful place and it has plenty to do, so I hope you get out and enjoy everything the city has to offer! O hope that you all enjoy your stay. With that, I will let you get back to Żaneta, I can’t wait to see this year’s entries.
bzzt
Thank you President Niezgoda. Now, what you’ve all been waiting for, it’s time to announce the entries and semifinals for this year’s Urthvision. We had enough entries for this iteration of the song festival to get two semifinals. So get ready, there’s a lot to get through in a short amount of time, so grab your favorite snacks, and buckle up.
Now Playing:
▶ Semifinal 1
▶ Semifinal 2
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I have always found that the original "10 Legs, 8 Broken" poem perfectly summarises the two main camps of sentiment surrounding nonites (or non-humans, for those who are unaware) in the Valsoran world. Around here, many people are vehemently opposed to them, while others vehemently defend them with their lives. Whole nations exist to torture and inflict suffering on nonites, while others make it their mission to provide a safe haven for all nonites.
This modified version of the 10-8 poem has been changed to feature some of the most common talking points used when people talk about nonites in debates, such as the belief that all nonites are destructive by nature and that they are not sapient at all. Conversely, sections where the dying nonite speaks act as rebuttals to these claims.
With that out of the way, let me set the stage.
At the end of days, in the barren and burnt wasteland that was once a vibrant planet, stands a battered, cold and injured human and a crippled, dying nonite. In his hand, the human holds a bloodied copper pipe. He has struck down the nonite, hard on the head, and the nonite now lies on the ground; their skull split open and their life slowly leaving their body.
The human stares down at the nonite, and watches as the red slick grows.
He begins to speak down to it, his voice condescending and filled with malice.
To the nonite,
The disgraceful, inhuman and monstrous abomination that lays before me.
I hate you.
You have destroyed and hurt everything I have built, just as your brothers and sisters did before you.
And I will tell you what I told them.
You are a trespasser that does not belong here.
You entered without knocking.
Roamed freely like this is your home and desecrated everything we humans built with your sickening, degenerate appearance.
You may not be the only killer here, but only one of us is innocent.
And it's not you.
The nonite speaks to the human, his body and soul slowly beginning to part ways, "It's not you, either."
I may have been born with the ears and the likeness of an animal, and to you I may be a villain, your arch-nemesis, your anti-thesis,
But I was born this way. How I am is beyond my own control. Who I am is who I am.
What's your excuse?
How is it that humans are never wrong in your eyes? Why is it that your form is the perfect form? Why is it that you are infallible, while I am imperfect without a chance to become perfect?
If you could count your murders, how long would you be counting?
Am I really this threatening? Is my appearance, this form I didn't decide for myself, truly this sickening to look at?
You assert human hearts are bigger than mine, but you have struck me down with malice.
You assert sapience only belongs to humans, yet I can understand you; I can feel you; I can cry, I can love, I can hate;
And I'm sorry for scaring you, but I didn't know being what I am would cost me my life.
Maybe...
If you didn't hold your bigoted views on factors beyond my own control - what my fathers did, what I look like now - and take out your unwarranted anger on me,
If my ears were but a strange feature of my hair that I could comb up whenever I wanted,
If I had no tail, and only a great tuft of hair upon my head,
If I could show to you who I am without you being so needlessly cruel;
If I was the same but looked different;
Maybe you wouldn't hate me.
Maybe you wouldn't have loved me, either, and maybe you still wouldn't have returned my acts with kindness,
But maybe you would've let me keep my life. Maybe you would've shown me mercy.
But you are still standing, and I am still sorry.
And...
If ever I am given a second chance at life, if I was given a chance to start anew,
In my next life, I hope to meet someone
With a bigger heart than you.
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